I want to compress everything like a master compressor. Overcurrent protection circuits safeguard 500-series rack operation in case. Linkable for stereo operation - The main rack must provide linking mechanism on the connector backplane. you would most likely benefit from a saturation source,for example for your drums. I have a mixer and a stereo compressor (RNC1773). Single-channel, 500-series version of the RNC. It could also be that he is addicted to playback or dj sets. It could be that what this guy felt was that the volume balance was sometimes off. The FMR Audio RNC 'Really Nice Compressor' at Front End Audio. The RNC yields clean, airy compression with few artifacts and little high-end loss, even at massive gain reduction The amazing performance is whyeven after almost 20 yearsmany professionals are calling the RNC one of the best sounding compressors for under 2000. But what it offers is opposite to what a true live represents and will kill the rawness and breathing room that live sound has.Its a bit like wanting to add video effects to a theater play □. This tiny little stereo workhorse, originally introduced in the late 1990s, has found its place in both weekend-warrior bedroom studios. It's a mixing tool, or a way to tighten your stereo mix. Also used are the Urei LA-10 compressor/limiter, Symetrix 501. But compression is not a tool to make your sound better, it mostly makes it worse. New rock mixing demo video using the Soundcraft Sapphyre with the FMR Audio RNC1773, 'Really Nice Compressor' on the master bus. There is a craze with compression nowadays,and everybody is addicted to its sound. It depends a lot on the music you do, but the answer is probably no, you don't need one for your live gigs.įor example, if you make techno music, heavy on drums, and you want your live music to sound mixed and "produced" then maybe you should go for it.īut if you make ambient or more experimental stuff, sounds that need room to breathe, then god no.
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